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Claude-joseph Vernet Storm with a Shipwreck oil painting


Storm with a Shipwreck
Painting ID::  75204
Claude-joseph Vernet
Storm with a Shipwreck
Storm with a Shipwreck, 1754, Oil on canvas, 87 x 137 cm, Wallace Collection, London cjr

   
   
     

Claude-joseph Vernet Vernet-bandol-detail oil painting


Vernet-bandol-detail
Painting ID::  80218
Claude-joseph Vernet
Vernet-bandol-detail
la pe - he au thon (dxtail), 1755, huile sur toile, 1,65 x 2,63 m Musxee national de la Marine, nx5 OA 4D, dxpôt du Musxe de Louvre, inv. 8295 cjr

   
   
     

Claude-joseph Vernet Interieur du port de Marseille oil painting


Interieur du port de Marseille
Painting ID::  83182
Claude-joseph Vernet
Interieur du port de Marseille
Date 1754(1754) Medium Oil on canvas Dimensions 165 x 263 cm (65 x 103.5 in) cjr

   
   
     

Claude-joseph Vernet Interieur du port de Marseille oil painting


Interieur du port de Marseille
Painting ID::  87570
Claude-joseph Vernet
Interieur du port de Marseille
1754(1754) Medium Oil on canvas Dimensions 165 x 263 cm (65 x 103.5 in) cyf

   
   
     

Claude-joseph Vernet Les Baigneuses oil painting


Les Baigneuses
Painting ID::  90547
Claude-joseph Vernet
Les Baigneuses
1759(1759) Medium : oil on cardboard cjr

   
   
     

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     Claude-joseph Vernet
     French Painter, 1714-1789 Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy.

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     | BOTTICINI, Francesco | DUSART, Cornelis | Frank Duveneck |


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